Tuesday, April 21, 2015

Vintage Dinosaur Art: The First Life on Earth (Wonder Why book)

We return to the 1970s this week, with a book that encapsulates why it was such a wonderful decade for kids' dinosaur books. The First Life on Earth (1977, a Wonder Why Book of) is typical of so many children's books on prehistoric life in that it purports to offer a potted history of the evolution of animal life on Earth, while focussing disproportionately on dinosaurs. Of course, this is most certainly a Good Thing, as dinosaurs are the bestest animals ever and all us mammals should feel thoroughly inadequate. In addition, illustrator John Barber might employ the gigglesome palaeoart tropes of the period, but his technique is quite intriguing - his work rewards a closer look.


Wednesday, April 15, 2015

Which Mammoth is Mopey Character are You?

We're now two weeks from the end of the Mammoth is Mopey Indiegogo campaign I've posted about here a few times and tweeted about prolifically. In the interest of keeping promotion fresh, we've hopped on the quiz bandwagon. They're scientifically proven to be the number one way to come to self-knowledge in the hustle and bustle of this digital world. No hallucinogens, fasting, or pilgrimage required!



We're just about 65% funded, and it's totally possible for us to reach full funding. As a fixed-funding campaign, we need to hit that number to get any money at all. If you've backed us or spread the word via social media, Jennie and I are grateful for the support. We look forward to fulfilling orders this summer!

Friday, April 10, 2015

Interview: Angela Connor

Weave the Cosmos by Angela Connor, featuring Amaruuk, a Microraptor-inspired mythical creator.

I've admired Angela Connor's Paleo Portraits for a while, and her work has been discussed here previously (here and here). Her portraits are full of character, and in the same way that simple portraits of owls focus our attention differently than other photographs might, Angela's portraits are a way to experience these diverse, sadly extinct, animals in an intimate way. In addition to her palaeoart, Angela's body of work includes simple, engaging animations, sculpture, and fantasy illustration.

I interviewed Angela recently and I'm thrilled to share our conversation with you today.

What is your background as an artist?

I'm still very young and green, so for me, "background" kind of means creative childhood pastimes more than anything. I didn't grow up in an artsy place, but having an artist mom and getting to dabble in a lot of different media in summer workshops (drawing, painting, sculpture, and even one-offs like claymation) kept the creativity going. Plus at home we had lots of art supplies of all sorts and I loved combining them in different ways. In particular I liked making miniature animals with clay, wire, and glass beads, and of course drawing and painting were a way of life.

In high school I branched into a variety of digital stuff (digital painting, pixels, vector, 3D texturing, and web design) mostly inspired by seeing other kids on the 'net doing them and wanting to learn too. Then in college I studied graphic design for a while before changing majors to animation, where I learned that as well as 3D modeling/digital sculpture and other production-y things, but in the years after graduating I've found myself more drawn to painting, GIFs, and other odd experiments, and soon I'll be able to return to making physical crafts like I did as a kid, but now armed now with an adult brain, resources, and the existence of new tech like 3D printing.

Three of Angela Connor's Paleo Portaits: Jinfengopteryx, Styracosaurus, and Deinocheirus.

What was the inspiration for doing the Paleo Portraits series?

I don't think there was any one thing in particular that inspired it, but rather a culmination of several factors. The void that graduating college tends to create kind of makes you start asking yourself the big "Who am I, really?" sorts of questions, and for me one of the things that happened as a result was rediscovering my fascination with the history of life on Earth. I know the collective of science-types I had found online by that point, particularly the LITC and TetZoo circles, played a huge part in reigniting that flame.

I also just wanted to challenge myself to do a series, because my art tends to be one-off pieces rather than cohesive sets of any sort. A bonus is that it's also a great way to study all these different animals (and find new ones I didn't know about before!) because some degree of research is required in order to make them not terrible or too inaccurate. Comparing the myriad shapes past animals took is also good practice for when I go to design my own creatures, and indeed, several of my most-admired creature designers started with, dabble in, or are at least inspired by paleontological reconstructions.

How do you choose what animals to feature for Paleo Portraits? You've covered an impressive diversity of taxa so far.

At first it started out just being ones Scott Hartman had skeletals of, but then it kind of mushroomed out further (but still only ones with acceptable reference). Looking up one animal often leads to a wiki-walk in which I find several more animals so there's actually kind of a backlog I'll go and pick from or just start a new one, chosen more on whim than anything else. Though if there is an event or a certain animal or group is seeing a lot of press or being discussed I will sometimes use that to inform my choice. And as for the diversity, that's part of the goal of the project, though my preferences definitely still are in evidence at this stage.

More Paleo Portraits: Tylosaurus, Dimorphodon, and Psittacosaurus.

What are your early memories of dinosaur art, stories, or other media?

What exactly first sparked my interest in prehistoric life is lost to history, but I do remember having watched Jurassic Park as a wee little girl, and I can't even count how many times I saw The Land Before Time. I also remember We're Back! A Dinosaur's Story and the obscure, vaguely animated VHS version of Michael Berenstain's I ♥ Dinosaurs that got watched a lot. Later, when Walking with Dinosaurs first aired, I think I saw it at a friends' house and we got really into it.

As for books, I would have to go back to mom's and dig through the attic to find/remember any others, but the ones I can think of off the top of my head are Raptors!: The Nastiest Dinosaurs and AMNH's Book of Dinosaurs and Other Ancient Creatures. The latter of those was probably one of the first things that really introduced me to the world of prehistory beyond just the (mostly) Mesozoic rock stars, and was especially fascinating for that reason, though both books had very memorable art.

I don't think there's much outside of film/TV/books but when we got our first computer around '94-'95, (I think) it came with a bunch of these educational DOS games, one of which was called 3D Dinosaur Adventure. It's exceedingly dated now, but it blew my tiny child mind at the time and I played it to death. And, of course, we had quite a number of dinosaur toys and whatnot, in particular I remember the nice rubber models my brothers and I played with in the sandbox, and a JP raptor action figure that I actually have here in my apartment somewhere. Oh, and my favorite thing in the world when I was maybe 5 or 6 was a tiny black Dimetrodon I named "Creamy" that came in one of those novelty egg-shaped soaps.

Inspired by "Creamy," the Dimetrodon Paleo Portrait.

Walking with Dinosaurs has received surprisingly few nods in the interviews I've done, but I also was very inspired by it. Even though it's a bit dated now, I still rewatch it from time to time. do you have any favorite bits that have stuck with you?

I was only maybe twelve at the time so perhaps that is why it stuck with me. I rewatch it occasionally myself, too, as well as the Beasts and Monsters ones that came after. Walking with Monsters may actually be my favorite because of how it steps through the periods by sort of following the one lineage via those "evolution takes over" sequences in between segments while showcasing what's going on around each new iteration and its place in the ecosystem. Plus, there are scant few good programs that portray Paleozoic things or stem-mammalian ancestry in general. My soft spot for synapsids came about perhaps because of that show. My favorite bit of Walking with Dinosaurs was probably New Blood because I love origins of things and Triassic critters in general.

You've done amazing work that melds palaeoart and fantasy art - as in your gorgeous, Microraptor-inspired Amaruuk. As more non-avian dinosaurs are revealed by research to be virtual chimaeras of birds and lizards, it seems a fertile area of exploration. Can you tell us a bit about what inspired this in your own work?

Theropods to me are basically just bird dragons, two of my favorite things mixed together into something way too cool to not make a mythical mascot creature out of (though originally she was supposed to be a creation deity, a mother of all life sort of thing). Plus the ideas of mythical creatures in many ancient cultures come in part from found fossils. Extrapolating from observations and weaving tales and images from that is so very human. I love fantasy and mythos as well as real world zoology/paleontology so combining them seems only natural. Though we have a lot more data now than ancient people did, it's still fun to use it to create deities and beasts of legend.

There is another thing, though. A lot of fantasy art seems to portray creatures from a "monster" angle (though they are still inspired by real animal anatomy and so forth, and some of my favorite fantasy artists are in fact paleo nerds), or when I tell people I make creature art they say "Oh, you mean like monsters?" but personally my approach is what could be called the Alan Grant way. They're not monsters, just animals. They just do what they do. Rather than going full "awesomebro" or exploring the dark depths of the human psyche, I mostly enjoy just building on nature. That plus a little mystical majesty and the ocassional dose of childlike wonder is generally how I like my fantasy, and all the de-monstering and All-Yesterdaysing that paleoart is trying to do right now has certainly had some level of influence. Plus, I'm a 26-year-old woman who goes giddy as a schoolgirl just finding a perfectly ordinary lizard outside. Part of me just wants to put that feeling into my art, too. Life is really amazing, and fusing myth and fantasy with reality kind of brings it out for me. Heck, my piece, Guard of the East Tower, literally is that. I saw a green anole on my windowsill and painted it through the lens of fantasy.

Guard of the East Tower by Angela Connor.

Monsters are certainly central to the genre, but is there any fantasy fiction/ media that you think does a better job than most in regards to portraying creatures more as animals as opposed to monsters?

The portrayal of fantasy creatures as animals versus as monsters really depends more on what kind of story is being told and where they fit into the narrative. If it's central to the plot like a big kaiju or anomalous marauding creature in what is otherwise our reality or enemies in a video game then those are almost always monsters (though the latter also tends to have plain animals as early-on foes). But it tickles me most when creatures exist to flesh out a whole fictional world with its own ecosystem, usually an alien planet like Pandora from Avatar (I admit I'm kind of under a rock with media so I'm sure there are more that I'm simply failing to think of). Part of me really wants to see something like the Star Trek universe delve into its own planets' evolutionary histories and exobiology. More than any media or franchise, though, when I think of treating fantasy creatures as animals, my mind goes to specific artists like Terryl Whitlatch, Brynn Metheney, and Tiffany Turrill. I can't not get fired up looking at their work!

Besides a personal interest (and a real knack for it IMO), do you hope to produce palaeoart in the usual, scientific-illustration-accompanying-research-manner?

Why, thank you! While at this point I know I am nowhere near the level of people who are masters of anatomy and have their noses in up-to-date literature, I'd love to be able to have an opportunity like that in the future. Something along those lines that I really want to get into practicing for in the coming months is model making, as I think it'd be great to produce reconstructions for museums and things of that nature. Outreach about the history of life on earth is really important to me, so it would be an honor to someday be able to help actual paleontologists show their findings to the world. In the meantime I think it's also good to inject what I've gleaned from being connected to this community into hobbies and regular-people stuff, and just kind of help to normalize new discoveries. After all, I am no scientist. I just follow them on Twitter and buy their shirts, haha.


All work in this post is © Angela Connor and used with her permission. Please check out her website and purchase her fine wares at Redbubble. You can directly support her work by pledging at her Patreon page. Follow her at Twitter, DeviantArt, ArtStation, and Facebook, and Newgrounds, too. Thanks for taking the time to answer my questions, Angela!

Thursday, April 9, 2015

Mesozoic Miscellany 74

The Thunderously Big News

Didja hear about Brontosaurus yet? Eh? Well, if you haven't, hold on your butt. Arguably the most famous generic name in all of the dinosauria has returned, thanks to a massive phylogenetic reassessment of diplodocidae led by Emanuel Tschopp of Universidade Nova de Lisboan, and published in PeerJ. The press has, predictably, been mostly vomiting on its own shoes, grasping taxonomic and phylogenetic concepts with varying degrees of incompetence. Not all bad, of course, thanks to knowledgeable and clearly written posts by the researchers and journalists of the dinoblogosphere. Brian Switek, Andrea Cau, SV-POW, Dave Hone, and Everything Dinosaur have all covered it well. Anthony Maltese reminisces about working on a mount of the famous sauropod. Also see articles from The New York Times, Nature News, Wired, and SciAm. There are more, of course. Hey media! Enough with the swampbound, antiquated depictions of Brontosaurus. That beast is still happily obsolete.

Remember Project Daspletosaurus? We're seeing the research hit the press now! Dave Hone, who led the research with Darren Tanke at the Royal Tyrrell Museum of Palaeontology, has written about it at his Guardian blog, Lost Worlds, as well as at Archosaur Musings. Cannibal tyrannosaurs and Brontosaurus. Funny week in Mesozoic news.

Around the Dinoblogosphere

Last time around, I featured the news of Carnufex carolinensis. Jaime Headden has written a post about finding that one of his pieces of artwork was adapted for a figure in the publication, without credit. I think a lot of palaeoartists will find value in, and perhaps identify all too closely with, his reasoned post on the issue.

A Carboniferous forest simulator has been developed, and is in alpha testing. Watch the walkthrough by the Palaeocast team below, and check out the project team's work here and here.



The latest episode of the TetZoo Podcats featured conversations of special interest to palaeoartists, including stem-mammal gaits and the homology of scales. There will surely be follow up on the former topic, as John Conway has had some interesting conversations on social media after sharing his tall-striding Dimetrodon. Also see his jaw-dropping recent Dolichorynchops.

Trish Arnold invites you to watch the totally 90's "Bonehead Detectives of Paleoworld."

Jason Goldman's terrific interview podcast The Wild Life featured the fantastic Jennifer Hall, discussing taxidermy and Dreadnoughtus. Jennifer was also interviewed about her career by Pacific Standard. Jennifer's new-ish site is Art in the Age of Evolution.

At ART Evolved, please check out Herman's latest round of reviews, celebrating the occasion of one R. Bakker's hatching day.

Chris DiPiazza, formerly of the defunct Jersey Boys Hunt Dinosaurs site, has begun his own blog, and it promises terrific content. He plans on bringing more conservation issues to the fore, as well as sharing his gorgeous watercolor palaeoart. Go say "hello" to Prehistoric Beast of the Week.

The children's book blog Design of the Picture Book interviewed Flying Eye Books about their restoration and reissue of The Wonderful Egg. It's one that fans of our mid-century Vintage Dinosaur Art titles will love.

Paleoart Pick(s)

Designer-illustrator Sharon Wegner-Larson's Geo-rex Vortex is so cool. It is featured in the new Skullmore zine and as part of an exhibition called Revisited at Exposure Gallery in Sioux Falls, SD. Sharon wrote a bit about her process at her blog and has made the design available on shirts at Redbubble. Prints? Check her Etsy shop.

Geo-Rex Vortex (purple-pink gradient)
Geo-rex Vortex © Sharon Wegner-Larson

Speaking of tees that rock, Neatoshop is running a free shipping promotion this week. Which is pretty nifty because Raven Amos has some frickin' great stuff there. Her Art Nouveau Troodon, Pachyrhinosaurus, highly caffeinated pterosaur, and Styracosaurus are there and I proudly wear her "Swamp Dragon" Ichthyovenator design, seen below. Also: Kaiju/Nintendo mash-ups Gamario and Linkzilla! Go forth and dump legal tender into her coffers!
Swamp Dragon © Raven Amos

Tuesday, April 7, 2015

Vintage Dinosaur Art: Dinosaurs (Start-Right Elf Book)

What with the current media hullabaloo over a certain taxonomic reshuffle (which sounds utterly improbable, but there you have it), it seems apt that this week's Vintage Dinosaur Art takes us back to a time during which that generic name was firmly cemented into the minds of children, in spite of it having been deemed obsolete for decades. Dinosaurs (1971, a Start-Right Elf Book from Rand McNally) is a perfect, and very charming, example of the sort of book that has crusty old brontosaur fans gently wiping a tear from their wrinkly grey faces.


Monday, April 6, 2015

And the winner is...

Last week I announced a contest to win any tee shirt in my Redbubble shop, and we had 25 entries. Now it's time to declare a winner. I've numbered the entries 1-25 and will use Random.org to select a winner among those numbers.

Entering in my number range...



Entry number three wins the shirt! That comment was left by Kristofer Ruiz. Kristofer, please write to me at chasmosaurs(at)gmail(dot)com to let me know which tee you'd like and I'll get it sent off to you.

Thanks all for your link shares over the last week, and during the whole span of the campaign. We've been getting great response, and though full funding (and therefore printing the book) is not guaranteed, we're approaching the 50% funded level and I still believe it's possible that we'll make it. To help with that, I've dropped the perk level for illustration commissions a whole $200. It's a steal!



I'll do prehistoric critters, pet portraits, art for kid's rooms... whatever. So head over to the Indiegogo campaign page and check it out. Thanks again for all the support.

Monday, March 30, 2015

Help a Mammoth, Win a Shirt!

Just about every crowdfunding campaign I've seen has included some form of this refrain: Even if you can't afford to donate, helping spread the word is a great form of support. It's true. You may have seen my post last week about my funding campaign to publish the children's book Mammoth is Mopey, a collaboration with my wife, Jennie. And if you follow me on Twitter, you've most certainly seen me mention it a few (dozen) times. So, if you're sympathetic with the mission of the book - to put cool, whimsical, modern versions of prehistoric animals in the hands of young potential scientists and artists, I hope you'll consider sending out a tweet, pin, Facebook link, or any other form of social media post to help us hit our goal.

To sweeten the deal beyond words of appreciation, we've decided to hold a contest. If you post about Mammoth is Mopey on social media, you have the chance win any tee shirt of your choice from my Redbubble shop. The rules are simple: Between now and Sunday, April 5, make a public post on a social media network. In the comments below, include a link to your post. Next Monday, I'll use the random number generator at Random.org to choose a winner and make the announcement. If you've already shared a link to Mammoth is Mopey, that's okay - share it again over the next week, and comment below!

If we keep up at the rate we've been going, we should fund fully during the last week of the campaign. But that's not guaranteed, and I'd love to wrap up before that. Every time we hit a 10% milestone, I reveal another character from the book. I'd love to knock five or six this week, and your shares can help. Here's the progress so far.





Thanks again to the on-line palaeontology community for the support - we've received so many kind words since we began the campaign that it's made us more confident that this book has a place in the world. The latest has been Chris DiPiazza, who totally gets what we're aiming to do with the book. Now, go spread the word and pick your prize! Some of the designs available are the official Love in the Time of Chasmosaurs tee, Palaeontology Fanciers, the pixel art Dinosprites, I Left My Heart in a Prehistoric Age, the Dinosaur Hearts, the Dinosaur Family Crests,the "You Complete Me" toon, or the new Honest To Goodness Dinosaur series.

Wednesday, March 25, 2015

Vintage Dinosaur Art: I Can Read About Dinosaurs

Late update: David covered this one before! Be sure to read his take. I try not to go over the same ground, but mistakes happen.

The 1970s are a particularly rich source of popular/children's dinosaur books, fuelled no doubt by the Dinosaur Renaissance, the fantastically cheesy B-movies of the time (the seminal example When Dinosaurs Ruled the Earth appeared in 1970), or some combination thereupon. I Can Read About Dinosaurs (1972, illustrated by Judith Fringuello) is very typical of kids' books of the era; although the restorations are still old-fashioned in outlook, they're a lot more lively than they might have been back in the Zallinger days. It also features a very cool, nicely composed cover. Just check out those heroically posed Sexy Rexies, nonplussed by angry mountains and demonic, wraith-like pterosaurs. Aw yeah.



Tuesday, March 24, 2015

Mesozoic Miscellany 73

In the News

Meet Carnufex carolinensis, a new Triassic crocodylomorph that hit the web with a splash last week. Described by Lindsay Zanno and team in Scientific Reports, C. carolinensis was a massive, top-of-the-food-chain predator nicknamed "The Carolina Butcher." Co-author Susan Drymala discussed the find with BBC Radio's Up All Night. Brian Switek wrote about it over at Laelaps. Chris DiPiazza also whipped up a fantastic illustration of the new beastie. The Guardian published a report as well. Good to see this one getting so much press, and more on that a bit later in this post...

In ichno-news, Lisa Buckley has written a great post about a new set of lower Cretaceous trackways: ornithopod, non-avian theropod, and a newly described avian ichnotaxon, Paxavipes babcockensis. The bird tracks are notable, Buckley writes, for their unique orientation of toes, which reminds her of our extant Killdeer. Also check out the paper in Cretaceous Research.

Hațeg Island continues to produce oddballs: this time, evidence of a new short-necked azhdarchid. Mark Witton discussed the research at his blog, while teasing that a complimentary publication relevant to Cretaceous pterosaur evolution is on its way. Nab the PDF here.

A new Pachyrhinosaurus bonebed has been discovered in the Upper Cretaceous Wapiti Formation. As the abstract says though, there's more here than the title of the paper suggests. "About 88% of vertebrate remains are ceratopsian, and dromaeosaurid, hadrosaurid, troodontid, and tyrannosaurid remains have also been identified." It's also notable for being the farthest-inland bonebed yet discovered, at almost 300 miles (450 km) away from the coastline of the ancient sea.

In other bonebed news and other Triassic news, squeaking in just as I wrap this post up, a new Triassic species of Metoposaurus, M. algarvensis, has been described in the Journal of Vertebrate Paleontology by Steve Brusatte and team. Coming from a new Portugese bonebed, this monstrous temnospondyl offers up new details of skull anatomy that will assist in further phylogenetic work on the metoposaurids. And the reconstructions released with the news are terrific, too. Read more at Live Science.

Around the Dinoblogosphere

Back to Mark Witton, as he has been putting out a ridiculous amount of beautiful work lately. Witton has been revisiting some of his older pieces to incorporate changes in his thinking as well as his artistic technique. Check out his recent posts on his reclining Torvosaurus, pigeon-like Therizinosaurus, and a pair of controversial ceratopsians.

At his New Views on Old Bones blog, Paul Barrett republished his guest post at Dave Hone's Guardian blog on the process of the NHM acquiring their stunning new Stegosaurus, Sophie.

Speaking of Stegosaurus, Matt Martyniuk has written a wonderful, thorough post on the evolving look of the iconic taxon over the years.

Dean Lomax and Nobu Tamura collaborated on a recent book on British dinosaurs, and Darren Naish has an in-depth review for us.

Darren also reviewed Matt Martyniuk's gorgeous recent Beasts of Antiquity: Stem-birds in the Solnhofen Limestone.

At Extinct Monsters, Ben Miller writes about famous mounts that share an origin in the Carnegie quarry, though they may be stars of distant museums now.

Always a good time to talk about Mary Anning, and Fernanda Castano wrote a tribute to her at Notes from Gondwana.

Gareth Monger wrote a nice post about his process of rethinking his own Rhamphorynchus reconstruction, showing how he's improved on it since its conception and considering the possibility of showier color schemes than his earlier work.

Extant Theropod Appreciation

Some wonderful news from Colombia: the Blue-Bearded Helmetcrest (Oxypogon cyanolaemus), thought extinct, has been rediscovered. Its ultimate survival, however, is anything but guaranteed, as its habitat is threatened by livestock grazing and fires set for agricultural purposes.

Palaeoart Pick

It's not every day that an ancient crocodylomorph makes international news, but props to Zanno, Drymala, and team for achieving such coverage for The Carolina Butcher. One of the reasons for this must be the stunning restoration included in the press release. The work of one Jorge Gonzales, this fantastic piece is one more example of how important good palaeoart is. I've said it before, and I'll probably never stop: There is no palaeontology outreach without palaeoart.

Carnufex carolinensis, © Jorge Gonzalez, from the press materials distributed by NC State University.

Monday, March 23, 2015

Mammoth is Mopey, a paleoart alphabet book



I am excited to announce that the children's book Mammoth is Mopey, written by my wife Jennie and me and featuring 26 of my original illustrations, is close to publication! It has been a labor of love for the last few years, and I'm on pins and needles as we work on the crucial last step. What's the book about? This Venn diagram is a good place to start.



At its heart, Mammoth is Mopey is simply a fun celebration of prehistoric life. Written as an alphabet book, it features 26 animals spanning 500 million years of Earth history. Some are familiar - Ankylosaurus, Velociraptor, and the title character for example. But most of them are not household names, from Permian synapsids to recently discovered non-avian dinosaurs to a terror bird and a temnospondyl. They're whimsical and cartoony, but they are thoroughly contemporary, with the kinds of integumentary variety and other anatomical details we are accustomed to nowadays, and that we wish the mainstream pop culture would embrace more quickly. Emily Willoughby wrote eloquently on this angle of the book in a wonderful post at her Things With Feathers tumblog. Mark Witton also gave it a big thumbs up at his blog.

Not that I'm seriously suggesting therapsids were either bipedal or nattily dressed...


...or that ankylosaurs fancied painting the occasional still-life.


Another reason for the book is to provide a fun way for adults and children to learn about these amazing animals together. Each spread includes information about when and where each critter lived, and pronunciations produced with help from Mike Keesey. Big and small readers can learn the names together and talk about the emotions and actions of the animals.

Our funding campaign via Indiegogo has two goals. First, we want to print an initial run of 1,000 copies of the book. We're not skimping on it. After much deliberation about materials, we settled on doing a solid casebound hardcover format with a thick, uncoated interior paper stock. It will be a sturdy little book.

Second, we are raising money to fund an art exhibition to be held this June at Wonderlab. As part of their larger "Science A-Z" programming over the summer, prints of every one of the book's animals will be displayed on their gallery wall. Wonderlab will also have signed copies of Mammoth is Mopey for sale in their gift shop, provided we can fund it.

We would greatly appreciate any support, and to sweeten the deal, we have all sorts of excellent perks for people who donate to the campaign. Physical copies of the book come with donations as low as $15, and there are 1" buttons, character prints, posters, and even custom illustration commissions at higher level. Want an illustration of your daughter riding a Postosuchus or you giving Futalognkosaurus a hug? I'll do it! Of course, tweets and Facebook shares are all appreciated as well, if you're not able to donate.

Please check out our campaign page and learn more about the book at MammothIsMopey.com, which will be dedicated to the book and its supplemental content in the eventuality that the campaign is successful!